New ideas

I’ve been playing around with some new ideas, and I think I’m liking it.  One of the benefits of having this studio and time out in the community at P22 is that I get to practice art.  Right?  I mean if you want to be good at something, you have to keep practicing, exploring and experimenting.  It’s just like anything else.  If I wanted to be better at guitar, or volleyball or cooking– I would practice.  Art is something that takes practice too.  There is a misconception that people just wake up as artists one day and they go paint a portrait, or draw a landscape. Very few people could actually do that , most artists practice everyday.  Yes, there are some people who have more of a predisposition to make art, but there are people with a predisposition who like to study engineering or cells.  All of us can take time to find out what we’re good at, but to practice takes passion.  Passion allows you to reach for something else.  To push yourself to uncharted territory.  Not someone else’s territory, but your own.  It’s your own journey, your own way to find out what you want to practice.  Now I get to be on that journey, and you’re welcome to come with me.

Yesterday I was at Palette 22, and here is a little bit of what I worked on:

IMG_4364.JPG
Working on wood with thread.
IMG_4260.JPG
Drawing maps on paper vellum and folding them.
IMG_4258.JPG
Building up layers on new small topographic studies paintings.

A hint

Just in case you wanted to know what I was up to this weekend:

Revisiting: Phases, a huge departure

Image

This painting is a huge departure from what I normally do. There is no collage. Just writing, and it isn’t in some sort of a grid, but centers around a circle. I used warm colors against a stark background.

I have never known if I had thought this was completely finished. So I have left it as is. Tons of script. It seems more design oriented. Which I do like. I’m a huge fan of design.

I think I’ll keep working with my script. I often see it and use at as design element, but I’m wondering if it can actually stand alone. Does it require a story behind it? Or can it just be?

Revisiting: Gridded Squares

Image

Ok, so this painting is not really at all what I usually do, but i thought it would be a good one to go to next because the last one contained a few boxes with lots of writing. I like squares/boxes/windows/passages (whatever you would like to see them as). For the purpose of this one, I kind of think of them as bricks or blocks. the warm colors elude to some type of material like, for me.

I love word a day calendars for many reasons, but I tend to keep them and use them over and over again in my works. I mostly like them because they are attached to a calendar. But I also like them for their usefulness. You learn a word, with a definition, origins etc… You may not remember it, but you may recognize it. Or it may come back to haunt you in a scrabble game. Anyway, text is another reason why I like them so much. There is a variety of fonts, and if you cut them off you break up the definition of the word, which can remove the need for the entire calendar because it doesn’t make sense!

So, I saved them, I cut them and made them into squares. I arranged them mostly in rows, but then played with the grid I had made with the paint.

The grid. I drew a grid, and then offset the grid with the squares of the paper. I painted around each square and also made light and dark areas to draw attention to certain spaces. I kind of think of this work like a timeline or something. For me, there is movement going left to write. Almost like a typewriter.

In this work, the writing isn’t as prominent as it is in most of my other paintings. I feel like it fills the space where there are empty spaces and connects the squares to each other rather than drawing a line. While usually my writing is all over, it is only contained in a line.